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It affords an easy medium of expressing or symbolizing a virtue or a vice, by means of the virtue or vice usually attributed to the animal represented. Animal forms were traditional elements of decoration. Medieval designers returned to the direct study of nature, including man, the lower animals, and the humblest plants.
This is evidenced by more than 130 mentions of this animal, and by the number of words in the Hebrew vocabulary used to designate the ass, by colour, sex, age, and so forth. Of these various names the most common is חֲמוֹר . White asses, more rare, were also more appreciated and reserved for the use of the nobles (Judges 5:10).
The New Testament does contain the rudiments of an argument which provides a basis for religious images or icons. Jesus was visible, and orthodox Christian doctrine maintains that Jesus is YHWH incarnate. In the Gospel of John, Jesus stated that because his disciples had seen him, they had seen God the Father (Gospel of John 14:7-9 [20]).
The brilliant white of Christ's robes, the golden-yellow of his halo, and the bright blue of the sky behind him all serve to emphasize the ethereal nature of the event. Similarly, Byzantine art favored a flattened, hieratic style of perspective that emphasized the spiritual significance of the figures depicted.
As we embrace the multifaceted historical realities of Black History Month, it is not irony but ethnic reality that calls our attention to those passages of scripture in Mark 15:21 and Luke 23:26.
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition.
Image credits: Detroit Photograph Company "There was a two-color process invented around 1913 by Kodak that used two glass plates in contact with each other, one being red-orange and the other ...
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
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