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In Through the Out Door is the eighth studio album by the English rock band Led Zeppelin. [2] It was recorded in three weeks in November and December 1978 at ABBA's Polar Studios in Stockholm, Sweden, and released by their label Swan Song Records on 22 August 1979 in the US [3] and 24 August 1979 in the UK.
Whole Lotta Bluegrass: A Bluegrass Tribute to Led Zeppelin: 2005 [26] Vanilla Fudge: Out Through the In Door: 2007 [5] Chris Poland: Misty Mountain Hop: A Millennium Tribute to Led Zeppelin: 2008 [46] Foo Fighters with Jimmy Page & John Paul Jones: Live at Wembley Stadium: 2008 DVD Rick Derringer: Led Box: The Ultimate Led Zeppelin Tribute ...
"Carouselambra" is the fifth song on Led Zeppelin's 1979 album In Through the Out Door. The title refers to the first section of the song that has similarities to carousel music. At more than 10 minutes in length, the song is the second-longest the band recorded in the studio. [3]
L. File:Led Zeppelin - Houses of the Holy.jpg; File:Led Zeppelin - In Through the Out Door.jpg; File:Led Zeppelin - Presence.jpg; File:Led Zeppelin - The Song Remains the Same.jpg
The Complete Studio Recordings is a ten compact disc box set by the English rock group Led Zeppelin, released by Atlantic Records on 24 September 1993. It contains all nine of the original Led Zeppelin studio albums digitally remastered, plus an expanded version of the posthumous release Coda.
This version is found on several Led Zeppelin bootleg recordings. Led Zeppelin performed the song during their concert tour of Europe in 1980. [3] "All My Love" is also included in the Led Zeppelin compilations Early Days and Latter Days, Remasters and Mothership. A mono mix of the song was re-released in 2015 on In Through the Out Door (Deluxe ...
Clockwise, from top left: Jimmy Page, John Bonham, Robert Plant, John Paul Jones Led Zeppelin were an English rock band who recorded 94 songs between 1968 and 1980. The band pioneered the concept of album-oriented rock and often refused to release popular songs as singles, [1] instead viewing their albums as indivisible, complete listening experiences, and disliked record labels re-editing ...
The song was performed at Led Zeppelin concerts during 1979 and 1980. During the 1979 performances, it was played directly after Page's guitar distortion and violin bow solo, which incorporated a laser strobe to add to the visual effects. [3] One such live version, from Led Zeppelin's performance at Knebworth in 1979, can be seen on the Led ...
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