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Chinese character Qi (气), Spring and Autumn period The clouds physical characteristics (being wispy and vaporous in nature) were associated with the Taoist concept of qi (气; 氣), especially yuanqi, [3]: 133 and the cosmological forces at work; [1] [note 4] i.e. the yuanqi was the origins of the Heavens and Earth, and all things were created from the interaction between the yin and yang.
Warhol's April 1966 show at the Leo Castelli Gallery in New York consisted of Cow Wallpaper in one room, and a second room with Warhol's silver helium-filled Clouds. [5]At Warhol's request, the pink and yellow Cow Wallpaper was used as the backdrop to cover all the walls for his 1971 retrospective at the Whitney in New York.
The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
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A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
Imigongo (Kinyarwanda: [i.mí.ɡôː.ŋɡo]) is an art form popular in Rwanda traditionally made by women using cow dung.Often in the colors black, white and red, popular themes include spiral and geometric designs that are painted on walls, pottery, and canvas.
This was due to the introduction of mass production techniques and, in England, the repeal in 1836 of the Wallpaper tax introduced in 1712. Wallpaper was often made in elaborate floral patterns with primary colors (red, blue, and yellow) in the backgrounds and overprinted with colours of cream and tan.
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]