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The Killing Vote [7] (Korean: 국민사형투표) is a 2023 South Korean television series starring Park Hae-jin, Park Sung-woong, and Lim Ji-yeon. It is based on a popular webtoon of the same Korean title serialized on Kakao Webtoon and KakaoPage . [ 8 ]
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Split Lip Rayfield is a band from Wichita, Kansas featuring Kirk Rundstrom (guitar), Eric Mardis (banjo), Wayne Gottstine (mandolin), and Jeff Eaton (bass). Early on, the group's gimmick was Eaton's homemade one-string bass, named Stitchgiver, built from the gas tank of a 1978 Mercury Grand Marquis and a piece of hickory and strung with one ...
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
The augmented minor seventh chord may be considered an altered dominant seventh and may use the whole tone scale, as may the dominant seventh flat five chord. [7] See chord-scale system. The augmented seventh chord normally acts as a dominant, resolving to the chord a fifth below. [8] Thus, G aug 7 resolves to a C major or minor chord, for example.
"The Killing Moon" is a song by the English rock band Echo & the Bunnymen. It was released on 20 January 1984 [ 2 ] as the lead single from their fourth studio album, Ocean Rain (1984). It is one of the band's highest-charting hits, reaching number 9 in the UK Singles Chart , and often cited as the band's greatest song.
"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by Norman Gimbel. The lyrics were written in collaboration with Lori Lieberman after she was inspired by a Don McLean performance in late 1971. Denied writing credit by Fox and Gimbel, Lieberman released her version of the song in 1972, but it did not chart.
The Broadway production had the song prepared to play in case Hedwig had to leave the stage, along with "Freaks", a song from the movie. [10] Lena Hall performed the song at her final show during the sound check. In the 2014 Broadway Revival, a small subplot was added to the script, and a small number was added to support it.