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File: Henri Matisse, 1908, Statuette and Vases on Oriental Carpet (Still Life in Red of Venice), oil on canvas, 89 x 105 cm, Pushkin Museum, Moscow.jpg
A Peking glass vase with lotus pattern from the Daoguang period. The color is named "Imperial Yellow" in reference to the banner of the Qing dynasty.. Peking glass, also known as Kangxi Glass, Qianlong Glass or Tao Liao Ping, [clarification needed] is a form of Chinese glassware that originated in 18th century Beijing, China (then romanized as "Peking" in European writings).
The David Vases, said to be two of the best-known Chinese porcelains in the world. The Percival David Foundation of Chinese Art (abbreviated as the PDF) held a collection of Chinese ceramics and related items assembled by Percival David that are on permanent display in a dedicated gallery in Room 95 at the British Museum.
This form of double crackle is called "gold thread and iron wire" (金丝铁线; 金絲鐵線; jīnsī-tiěxiàn) in Chinese tradition, describing the small and larger networks respectively. [ 18 ] Like other Song wares, Ge ware was skillfully copied in Jingdezhen porcelain under the Ming and Qing dynasties, [ 19 ] as well as the 20th century ...
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
Jizhou ware was known for a "tortoiseshell glaze" (玳瑁釉 dàimàoyòu), [5] [6] alone or in combination with other types of decoration. [7]The leaf and paper cut-outs were left in place, and burnt away in the kiln during firing.
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