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Social.FM was a free social networking service for music fans. It was run by Mercora and was shut down in August 2008. [1] Social.FM allowed Internet users to search and listen to a digital radio network of over three million songs, express their musical identity via a customizable profile page, and webcast music to other Social.FM users.
Matrix Software was founded in July 1994 by Kosuke Ohori and three friends who had each been involved in the video games industry for many years beforehand. [2] Kosuke, a veteran of the game development industry since high school, joined with former members of Climax Entertainment and Telenet Japan to create a company that he felt would "bring people serious game content". [3]
In September 2021, Warner Bros. confirmed that Johnny Klimek and Tom Tykwer would be scoring the film, having previously collaborated with Wachowski on Sense8 and Cloud Atlas, [4] replacing Don Davis, who composed the score for the first three films, though Klimek and Tykwer feature themes and material written by Davis for the original Matrix films.
Babyface; Bachman–Turner Overdrive; Ross Bagdasarian; Butch Baker; Josephine Baker; The Bama Band; Buju Banton; The Bar-Kays; Count Basie; Axel Bauer; Bee Gees
The Matrix: Original Motion Picture Score is one of the two 1999 soundtrack albums from the film, The Matrix (the other being The Matrix: Music from the Motion Picture). The Region 1 single disc DVD release (September 21, 1999) contained an isolated score track, including commentary by Davis.
"Mona Lisa Overdrive" is a composition in B-flat minor, featured in the movie The Matrix Reloaded, during the highway chase scene. It is written by Don Davis in collaboration with the electronica act Juno Reactor, representing a blend of film score music and trance.
It was a hierarchical 4-4-4 discrete matrix that used the SQ matrix as the baseband for discrete quadraphonic FM broadcasts using additional difference signals called "T" and "Q". For a USQ FM broadcast, the additional "T" modulation was placed at 38 kHz in quadrature to the standard stereo difference signal and the "Q" modulation was placed on ...
Matrix decoding is an audio technology where a small number of discrete audio channels (e.g., 2) are decoded into a larger number of channels on play back (e.g., 5). The channels are generally, but not always, arranged for transmission or recording by an encoder, and decoded for playback by a decoder.