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The Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band has a widely recognized album cover that depicts several dozen celebrities and other images. The image was made by posing the Beatles in front of life-sized, black-and-white photographs pasted onto hardboard and hand-tinted.
Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles.Released on 26 May 1967, [nb 1] Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music.
Sgt. Pepper's Lonely Hearts Club Band is a double album produced by George Martin, [1] featuring covers of songs by the Beatles.It was released in July 1978 by RSO Records as the soundtrack to the film Sgt. Pepper's Lonely Hearts Club Band, which starred the Bee Gees, Peter Frampton and Steve Martin.
The original LP cover features a lenticular image by the photographer Michael Cooper. Satanic Majesties initially received mixed reviews. [6] It was criticised as being derivative of the contemporaneous work of the Beatles, particularly their June 1967 release Sgt. Pepper's Lonely Hearts Club Band, with the similarities extending to the LP's cover.
This is a list of record-breaking historical expensive album covers or CD packaging. Elvis Presley (1956) – reportedly was the most expensive album cover ever up to that point. [75] Sgt. Pepper's Lonely Hearts Club Band (1967) – the cover, costing £25,000, was reportedly the most expensive cover design up to this time.
In a key action sequence in Sgt. Pepper’s Lonely Hearts Club Band, a discombobulated movie musical composed entirely of bizarre Beatles covers, the Future Villain Band, portrayed by Aerosmith ...
It was released on 26 May 2017, the album's 50th anniversary. It includes a new stereo remix of the album by Giles Martin, the son of Beatles producer George Martin. The release was accompanied by the Apple Corps documentary Sgt. Pepper's Musical Revolution, televised on the BBC, PBS and Arte. Promotion included billboards posted in major ...
In Record Mirror, Norman Jopling wrote that, whereas on Sgt. Pepper "the effects were chiefly sound and only the album cover was visual", on Magical Mystery Tour "the visual side ... has dominated the music", such that "Everything from fantasy, children's comics, acid (psychedelic) humour is included on the record and in the booklet." [159]
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