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Caravaggio employs tenebrism and realism to create the illusion of a three-dimensional work. Medusa's cheeks and jawline are also elongated to complement the nature of the painting. [10] Caravaggio chose to mount the canvas on a convex wooden shield because it would draw comparisons to the much-celebrated work of Leonardo da Vinci. A well-known ...
Caravaggio, born Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; / ˌ k ær ə ˈ v æ dʒ i oʊ /, US: /-ˈ v ɑː dʒ (i) oʊ /; Italian: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 29 September 1571 [1] – 18 July 1610), was an Italian painter active in Rome for most of his artistic life.
Among the ancient Greeks, it was the most widely used symbol to avert evil. Medusa's head with its goggling eyes, fangs, and protruding tongue was depicted on the shield of Athena herself. [3] Its use in this fashion was depicted in the Alexander Mosaic, a Roman mosaic (ca. 200 BC) in Pompeii. In some cruder representations, the blood flowing ...
Perseus and Medusa – bronze statue by Hubert Gerhard (c. 1590) Medusa (oil on canvas) by Caravaggio (1597) Head of Medusa, by Peter Paul Rubens (1618) Medusa (marble bust) by Gianlorenzo Bernini (1630s) Medusa is played by a countertenor in Jean-Baptiste Lully and Philippe Quinault's opera, Persée (1682). She sings the aria "J'ay perdu la ...
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Basket of Fruit, c. 1595–1596, oil on canvas, Pinacoteca Ambrosiana, Milan. Caravaggio (Michelangelo Merisi or Amerighi) was born in Milan, where his father, Fermo (Fermo Merixio), was a household administrator and architect-decorator to the marquess of Caravaggio, a town 35 km (22 mi) to the east of Milan and south of Bergamo. [7]
Using Athena’s polished shield to block off Medusa’s petrifying gaze, Perseus beheaded the snake-haired Medusa. This story reflects the fearsome ability to turn foes into stone and the complex ...
Medusa's Head, a Flemish painter, ca. 1600, Uffizi Gallery. In 1782, Leonardo's biographer Luigi Lanzi, while making a search for his paintings in the Uffizi, discovered a depiction of Medusa's head which he erroneously attributed to Leonardo, based on Vasari's description of Leonardo's second version of the subject:
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