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Feathers add chromatic and luminous feathers difficult to create with paints, although oil painting at the time had well developed techniques to play with light. [31] Mexican expertise was valued as well. Even though there was feather art also made in Asia, it was not as valued in the 16th and 17th century as that from Mexico. [39]
The grandala (Grandala coelicolor) is a species of bird in the thrush family Turdidae.It is the only species placed in the genus Grandala.It is an arboreal insectivore.It ranges across the northeastern Indian Subcontinent and some adjoining regions, existing primarily in the low-to-mid altitudes of the Himalayas.
A bird that is naturally white, such as a swan, goose, or egret, is not an albino, nor is a bird that has seasonally alternating white plumage. [17] Four degrees of albinism have been described. The most common form is termed partial albinism, in which local areas of the bird's body, such as certain feathers, are lacking the pigment melanin ...
The Sarimanok is the legendary bird that has become a ubiquitous symbol of Maranao art. It is depicted as a fowl with colorful wings and feathered tail, holding a fish on its beak or talons. The head is profusely decorated with scroll, leaf, and spiral motifs. It is said to be a symbol of good fortune. [2] [3] [4]
Tian-tsui (Chinese traditional: 點翠, Chinese simplified: 点翠, pinyin: diǎncuì, "dotting with kingfishers") is a style of Chinese art featuring kingfisher feathers. For 2,000 years, the Chinese have been using the iridescent blue feathers of kingfisher birds as an inlay for fine art objects and adornment, from hairpins, headdresses, and ...
Feathers, being critical to the survival of a bird, require maintenance. Apart from physical wear and tear, feathers face the onslaught of fungi, ectoparasitic feather mites and bird lice. [170] The physical condition of feathers are maintained by preening often with the application of secretions from the preen gland. Birds also bathe in water ...
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Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.