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Giuseppe Maria Alberto Giorgio de Chirico was born in Volos, Greece, as the eldest son of Gemma Cervetto and Evaristo de Chirico. [4] His mother was a Genoese baroness [5] of Greek origins from Smyrna, [6] and his father a Sicilian barone [3] [7] of Greek ancestry (the Kyriko or Chirico family was of Greek origin, having moved from Rhodes to Palermo in 1523 together with 4,000 other Greek ...
Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...
Paintings by Giorgio de Chirico. Pages in category "Paintings by Giorgio de Chirico" The following 16 pages are in this category, out of 16 total.
The Song of Love (also known as Le chant d'amour or Love Song) is a 1914 painting by Italian metaphysical painter Giorgio de Chirico.It is one of the most famous works by Chirico and an early example of his pre-surrealist style, though it was painted ten years before the movement was "founded" by André Breton in 1924.
The Disquieting Muses (in Italian: Le Muse inquietanti, 1916, 1917 or 1918 [3]) is a painting by the Italian metaphysical painter Giorgio de Chirico. There are two versions of this painting, the original is in the Gianni Mattioli private collection, in Milan, and the other is at the Pinakothek der Moderne, in Munich. [4]
The Nostalgia of the Infinite (Italian: La nostalgia dell'infinito) is a painting by Italian metaphysical painter Giorgio de Chirico, dated of 1911, but most likely painted in 1912-13. The subject of the painting is a large tower. The scene is struck by low, angular evening light.
The painting was made during the "metaphysical" period of his work (around 1909-1919). Several paintings from this time contain similar elements. In particular, de Chirico was influenced by the architecture of Turin and Florence, whose "metaphysical character" he perceived due to their spatial arrangement. The arcades are likely to hide secrets ...
On the horizon is a steam train with a plume of white smoke billowing away from it. The train image appears several times in de Chirico's work. In the foreground is a bunch of bananas, another recurring image in de Chirico's work (cf. The Transformed Dream). [2] [3] In 1916, de Chirico painted another work simply titled The Melancholy of Departure.
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