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In literature, the deuteragonist (/ ˌ dj uː t ə ˈ r æ ɡ ə n ɪ s t / DEW-tə-RAG-ə-nist; from Ancient Greek δευτεραγωνιστής (deuteragōnistḗs) 'second actor') or secondary main character [1] is the second most important character of a narrative, after the protagonist and before the tritagonist. [2]
[5] [7] Though not every story requires an antagonist, it often is used in plays to increase the level of drama. In tragedies, antagonists are often the cause of the protagonist's main problem, or lead a group of characters against the protagonist; in comedies, they are usually responsible for involving the protagonist in comedic situations.
Pages in category "Male characters in literature" The following 200 pages are in this category, out of approximately 818 total. This list may not reflect recent changes .
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
A protagonist (from Ancient Greek πρωταγωνιστής prōtagōnistḗs 'one who plays the first part, chief actor') [1] [2] [3] is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant ...
In Ancient Greek drama, particularly Old Comedy (fifth century B.C.), [10] agon refers to a contest or debate between two characters - the protagonist and the antagonist - in the highly structured Classical tragedies and dramas. The agon could also develop between an actor and the choir or between two actors with half of the chorus supporting each.
Brother Cadfael, The Cadfael Chronicles by Ellis Peters; Rick Cahill, Yesterday's Echo by Matt Coyle Lieutenant Horatio Caine, CSI: Miami; Slim Callaghan, by Peter Cheyney ...
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