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  2. Burdock piling - Wikipedia

    en.wikipedia.org/wiki/Burdock_piling

    The ishigaki of Ōzu Castle. Burdock piling (牛蒡積み, gobouzumi) is an advanced Japanese technique for building stone walls, named after the resemblance of the rough stones used to the ovate shapes of the blossoms of Japanese burdock plants.

  3. Wallpaper - Wikipedia

    en.wikipedia.org/wiki/Wallpaper

    Wallpaper is used in interior decoration to cover the interior walls of domestic and public buildings. It is usually sold in rolls and is applied onto a wall using wallpaper paste . Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with ...

  4. Stone wall - Wikipedia

    en.wikipedia.org/wiki/Stone_wall

    The first stone walls were constructed by farmers and primitive people by piling loose field stones into a dry stone wall. Later, mortar and plaster were used, especially in the construction of city walls, castles, and other fortifications before and during the Middle Ages. These stone walls are spread throughout the world in different forms.

  5. Rustication (architecture) - Wikipedia

    en.wikipedia.org/wiki/Rustication_(architecture)

    Rustication therefore often reverses the patterns of medieval and later vernacular architecture, where roughly dressed wall surfaces often contrast with ashlar quoins and frames to openings. Regular smooth-faced rustication (left) turns to horizontal banded rustication at the corner of Castle Howard in North Yorkshire, England.

  6. Shell keep - Wikipedia

    en.wikipedia.org/wiki/Shell_keep

    In English castle morphology, shell keeps are perceived as the successors to motte-and-bailey castles, with the wooden fence around the top of the motte replaced by a stone wall. Castle engineers during the Norman period did not trust the motte to support the enormous weight of a stone keep.

  7. Faux painting - Wikipedia

    en.wikipedia.org/wiki/Faux_painting

    Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l'œil murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who could actually trick viewers into believing their work was the real thing.

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