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The airport novel represents a literary genre that is defined not so much by its plot or cast of stock characters, but by the social function it serves.Designed to meet the demands of a very specific market, airport novels are superficially engaging while not being necessarily profound, usually written to be more entertaining than philosophically challenging.
For example, in Laurence Sterne's novel, A Sentimental Journey Through France and Italy, the narrator is using the sentimental character Yorick as a device to critique the obligation of morality, whether it is sentimental or rational. There is a scene early in the novel where Yorick meets a monk and refuses "to give him a single sous [a penny]."
Joy (French: La Joie) is a 1929 novel by the French writer Georges Bernanos. The story is set among people with shattered dreams and follows a young woman who is defined by youthfulness and joy. The book was awarded the Prix Femina. [1] It was published in English in 1946 in a translation by Louise Varèse. [2]
Literary fiction is often used as a synonym for literature, in the exclusive sense of writings specifically considered to have considerable artistic merit. [6] Literary fiction is commonly regarded as artistically superior to genre fiction , the latter being a form of commercial fiction written to provide entertainment to a mass audience .
Thesaurus Linguae Latinae. A modern english thesaurus. A thesaurus (pl.: thesauri or thesauruses), sometimes called a synonym dictionary or dictionary of synonyms, is a reference work which arranges words by their meanings (or in simpler terms, a book where one can find different words with similar meanings to other words), [1] [2] sometimes as a hierarchy of broader and narrower terms ...
It’s been 10 years since young adult author Jandy Nelson published a novel, and as the release date for her latest, When the World Tips Over, approaches, the author admits that it feels a bit ...
The Irish poet William Butler Yeats referred to a similar concept of "tragic joy". [12] Sigmund Freud took the literary sublime and examined the psyche behind it, resulting in what he termed "sublimation". [13] Other authors who used the sublime after the Romantic period included Charles Dickens, William Butler Yeats, among many others.
Writing for The New York Times, Barbara Kingsolver says the "novel [is] so readably juicy and surreptitiously smart [that] it deserves all the attention it can get." [ 7 ] Ron Charles , writing for The Washington Post , remarks that "Fowler manages to subsume any polemical motive within an unsettling, emotionally complex story."