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A man playing the violin. It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest. If held properly under the chin, the violinist can let go of the instrument ...
Suzuki pioneered the idea that a preschool age child could learn to play the violin if the learning steps were small enough and the instrument was scaled down to fit their body. He modeled his method, which he called "Talent Education" ( 才能教育 , sainō kyōiku ) , after his theories of natural language acquisition .
Heads of three violin bows: (upper) transitional (F. Tourte), swan-bill head of a long 18th-century model, pike-head of a 17th-century model. A violin is usually played using a bow consisting of a stick with a ribbon of horsehair strung between the tip and frog (or nut, or heel) at opposite ends. A typical violin bow may be 75 cm (30 in ...
In music, a double stop is the technique of playing two notes simultaneously on a stringed instrument such as a violin, a viola, a cello, or a double bass. On instruments such as the Hardanger fiddle it is common and often employed. In performing a double stop, two separate strings are bowed or plucked simultaneously.
Bell began playing the violin at age four after his mother discovered that he had taken rubber bands from around the house and stretched them across the handles of his nine dresser drawers to pluck out music he had heard her play on the piano. His parents got a scaled-to-size violin for him when he was five and started giving him lessons.
Julie Lyonn Lieberman was born in Newark, New Jersey and began her formal education on violin studying with famed educator and author, Samuel Applebaum. She continued her classical violin studies with Nancy Clarke of the Curtis Institute; Romuald Tecco of the Galamian School; Bill Henry, the co-founder of Orpheus Ensemble; and Stanley Ritchie, then concertmaster of the New York City Opera ...
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A violin consists of a body or corpus, a neck, a finger board, a bridge, a soundpost, four strings, and various fittings.The fittings are the tuning pegs, tailpiece and tailgut, endpin, possibly one or more fine tuners on the tailpiece, and in the modern style of playing, usually a chinrest, either attached with the cup directly over the tailpiece or to the left of it.
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