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The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Warner Elias Sallman (April 30, 1892 – May 25, 1968) was an American painter from Chicago best known for his works of Christian religious imagery. He also worked in commercial advertising, as well as in freelance illustration. [ 1 ]
A face was constructed using forensic anthropology by Richard Neave, a retired medical artist from the Unit of Art in Medicine at the University of Manchester. [81] The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance ...
Four of the most famous works of Hofmann are in the possession of the Riverside Church in New York: Christ and the Rich Young Ruler, Christ in Gethsemane, Christ in the Temple and Christ's Image. According to information of the Riverside Church, the painting Christ in Gethsemane is without much doubt one of the most copied paintings in the world.
A survivor holds the Warner Sallman image of Jesus Christ during services on February 12, 2010, in Port-au-Prince, Haiti, after an earthquake devastated the country. - Mario Tama/Getty Images
Head of Christ by Warner Sallman (1941) is the most widely reproduced image of Jesus, despite the fact that he was a Hebrew man from the Middle East. Whitewashing in art is the practice of altering the racial identity of historical and mythological figures in art as a part of a larger pattern of erasing and distorting the histories and contributions of non-whites.
Head of Christ is a 1940 portrait painting of Jesus by Warner Sallman. Head of Christ may also refer to: Head of Christ, an alabaster sculpture of c. 1352 in the Museu Nacional d'Art de Catalunya, Barcelona; Head of Christ, a painting of 1521 in the Getty Museum, Los Angeles; Head of Christ, a chalk and pastel study of c. 1494 in the Pinacoteca ...
Jambor's religious paintings have similarity to Warner Sallman, and scholarly writings allege Jambor appropriated Sallman's artwork and aesthetic. [14] Both artists depicted Jesus as a "strong character" with physical strength, however Sallman was attributed in statement about this as early as 1943, and Jambor was quoted in 1949.
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