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The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Warner Elias Sallman (April 30, 1892 – May 25, 1968) was an American painter from Chicago best known for his works of Christian religious imagery. He also worked in commercial advertising, as well as in freelance illustration. [ 1 ]
Kramarik is a self-taught painter and says that Jesus spoke to her when she was four years old, encouraging her to draw and paint her visions. [8] She began to draw at the age of four, was painting at six, and began to write poetry at seven. At the age of 8 years old, Akiane painted Jesus. Her first completed self-portrait sold for US$10,000. [8]
A survivor holds the Warner Sallman image of Jesus Christ during services on February 12, 2010, in Port-au-Prince, Haiti, after an earthquake devastated the country. - Mario Tama/Getty Images
Warner Sallman stated that The Head of Christ was the result of a "miraculous vision that he received late one night", proclaiming that "the answer came at 2 A.M., January 1924" as "a vision in response to my prayer to God in a despairing situation."
Head of Christ is a 1940 portrait painting of Jesus by Warner Sallman. Head of Christ may also refer to: Head of Christ, an alabaster sculpture of c. 1352 in the Museu Nacional d'Art de Catalunya, Barcelona; Head of Christ, a painting of 1521 in the Getty Museum, Los Angeles; Head of Christ, a chalk and pastel study of c. 1494 in the Pinacoteca ...
A German holy card from around 1910 depicting the crucifixion The earliest known woodcut, St Christopher, 1423, Buxheim, with hand-colouring Prayer card of the Holy Face of Jesus In the Christian tradition, holy cards or prayer cards are small, devotional pictures for the use of the faithful that usually depict a religious scene or a saint in ...
Jambor's religious paintings have similarity to Warner Sallman, and scholarly writings allege Jambor appropriated Sallman's artwork and aesthetic. [14] Both artists depicted Jesus as a "strong character" with physical strength, however Sallman was attributed in statement about this as early as 1943, and Jambor was quoted in 1949.