Search results
Results from the WOW.Com Content Network
Also that month Stephen Swift and Co. in London published Ripostes of Ezra Pound, a collection of 25 poems, including a contentious translation of The Seafarer, [109] that demonstrate his shift toward minimalist language. [79] In addition to Pound's work, the collection contains five poems by Hulme. [110] First edition of Poetry, October 1912
Cathay (1915) is a collection of classical Chinese poetry translated into English by modernist poet Ezra Pound based on Ernest Fenollosa's notes that came into Pound's possession in 1913. At first Pound used the notes to translate Noh plays and then to translate Chinese poetry to English, despite a complete lack of knowledge of the Chinese ...
Le Testament de Villon is an opera composed in 1923 by the American poet Ezra Pound, with assistance from George Antheil. [1] It is based on Le Testament , a collection of poems written by François Villon in 1461.
Ezra Pound's radio broadcasts, 1941–1945; Rock Drill (Ezra Pound) T. Le Testament de Villon This page was last edited on 24 October 2020, at 02:17 (UTC). Text is ...
Media in category "Ezra Pound" The following 4 files are in this category, out of 4 total. 48 Langham Street, London W1.jpg 798 × 1,200; 559 KB.
Hugh Selwyn Mauberley addresses Pound's alleged failure as a poet. F. R. Leavis considered it "quintessential autobiography." [2]Speaking of himself in the third person, Pound criticises his earlier works as attempts to "wring lilies from the acorn", that is to pursue aesthetic goals and art for art's sake in a rough setting, America, which he calls "a half-savage country".
To accompany the exhibition, on 19 October 1985, the Tate Gallery held an Ezra Pound Symposium to examine the connections between Ezra Pound and the visual arts. The speakers were Ian Bell, Judy Collins, Paul Edwards, Patricia Hutchins, Lionel Kelly, Anthony Ozturk, Alan Robinson, Mike Weaver, Clive Wilmer and Harriet Zinnes.
ABC of Reading [1] is a book by the 20th-century Imagist poet Ezra Pound published in 1934. In it, Pound sets out an approach by which one may come to appreciate and understand literature (focusing primarily on poetry). Despite its title the text can be considered as a guide to writing poetry.