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Bulmer is the name given to a serif typeface originally designed by punchcutter William Martin around 1790 for the Shakespeare Press, run by William Bulmer (1757–1830). [1] The types were used for printing the Boydell Shakespeare folio edition.
Globe Gothic Bold (1907), credited to Benton, though Frederic Goudy claims Phinney commissioned him to do it. Globe Gothic Bold Italic (1908) Card Mercantile (1901), a redesign of the two smallest sizes of an 1890s Dickinson Type Foundry design that ATF had acquired when the companies merged in 1896. Wedding Text (1901) Wedding Text Shaded (1913)
The regular or standard font is sometimes labeled roman, both to distinguish it from bold or thin and from italic or oblique. The keyword for the default, regular case is often omitted for variants and never repeated, otherwise it would be Bulmer regular italic, Bulmer bold regular and even Bulmer regular regular.
It is an adaptation of Priory Text, an 1870s version of William Caslon’s Caslon Text of 1734. Lower-case letters are identical with Phinney's earlier Flemish Black . Collier Old Style (1919, Goudy), a private type for Proctor & Collier , a Cincinnati advertising agency, matrices cut by Wiebking .
Bulmer printed almost 600 books and pamphlets until his retirement 1819 as well as reports and catalogues for many institutional clients such as The East India Company, the Royal Society, the British Museum and the Roxburghe Club. William Bulmer died at Clapham, on 9 September 1830, and was buried in St. Clement Danes, Strand.
Kurinto Font Folio (open source , pan-Unicode, 21 typefaces, 506 fonts; v2.196 (July 26, 2020) has coverage of most of Unicode v12.1 plus many auxiliary scripts including the UCSUR) LastResort (fallback font covering all 17 Unicode planes, included with Mac OS 8.5 and up) Lucida Grande (Unicode font included with macOS; includes 1,266 glyphs)*
Monotype Grotesque is a large family of fonts, including very bold, condensed and extended designs, created at different times. Monotype offered a sans-serif capital alphabet as its fourth typeface cut; others were developed later.
Boldface is often applied to the first occurrence of the article's title word or phrase in the lead.This is also done at the first occurrence of a term (commonly a synonym in the lead) that redirects to the article or one of its subsections, whether the term appears in the lead or not (see § Other uses, below).