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Vaiṣṇava Sahajiyās held that the erotic flavor of devotion was the superior rasa of divine love. [4] As such, a central practice in their tradition was sexual yoga, which they held re-enacted the divine love between Radha and Krishna and allowed them to taste the flavor (rasa) of the divine love through their own personal experience.
The Radha Tantra (Sanskrit: राधा तंत्र, romanized: Rādhātantram), also known as Vāsudevarahasya (Vāsudeva's secret) is a Tantric scripture from Bengal that deals with the story of Radha-Krishna in the backdrop of Vrindavan. The scripture is written in the Sanskrit language and is dedicated to the goddess Radha.
[10] Champaklata: Champaklata is the third most senior gopi in group of Ashtasakhi. She is born to her mother Vatika Devi and father Arama in Karahla village in Braj region. Champaklata is one day younger than Radha and her primary service includes collecting fruits and vegetables from forest and then cooking meals for the divine couple Radha ...
Sivananda Radha Saraswati (March 20, 1911 – November 30, 1995), born Sylvia Demitz, [1] was a German yogini who emigrated to Canada and founded Yasodhara Ashram in British Columbia. She established a Western-based lineage in the Sivananda tradition and published books on several branches of Yoga, including Kundalini Yoga for the West and ...
Radha was the foster mother of Karna, one of the central characters in the Hindu epic Mahabharata. She was the wife of Adhiratha, the charioteer of Bhishma. Radha also bore a son named Shon. The young Kunti used a mantra to beget a son from the Sun god Surya. Afraid of the taint of being an unwed mother, she placed the baby in a basket and set ...
Kamadhenu (Sanskrit: कामधेनु, [kaːmɐˈdʱeːnʊ], Kāmadhenu), also known as Surabhi (सुरभि, Surabhi or सुरभी, Surabhī [1]), is a divine bovine-goddess described in Hinduism as the mother of all cows. She is a miraculous cow of plenty who provides her owner whatever they desire and is often portrayed as the ...
[2] [25] Radha and Krishna are presented as inseparable, and Radha is described as the energy and power (shakti) of Krishna. [ 25 ] The Purana presents an egalitarian view towards women, wherein it asserts ideas such as, "all female beings have come forth out of the divine female" in chapter 4.13, and that "every insult to a woman is an offence ...
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.