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The Gardens of Maecenas, or Horti Maecenatis, constituted the luxurious ancient Roman estate of Gaius Maecenas, an Augustan-era imperial advisor and patron of the arts. The property was among the first in Italy to emulate the style of Persian gardens . [ 1 ]
The Porta Esquilina allowed passage between Rome and the Esquiline Hill at the city’s east before Rome expanded with the later Aurelian Wall.The Esquiline Hill served as Rome’s graveyard during the Republic and later as an area for the horti and the emperor’s most beautiful gardens such as the Gardens of Maecenas. [3]
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Articles relating to Gaius Maecenas (c. 70 – 8 BC), quasi-culture minister to the Roman Emperor and patron of the Augustan poets, including Horace and Virgil. Pages in category "Gaius Maecenas" The following 8 pages are in this category, out of 8 total.
The tower gained the popular nickname of "Nero's Tower" from a tradition that it originated as an ancient Roman construction from which the emperor Nero watched the Great Fire of Rome – this is derived from the classical account that he watched from a tower in the Gardens of Maecenas, though more trustworthy accounts place him out of town, at Antium at the time.
The Annunciation - Convent of San Marco, Florence. The term hortus conclusus is derived from the Vulgate Bible's Canticle of Canticles (also called the Song of Songs or Song of Solomon) 4:12, in Latin: "Hortus conclusus soror mea, sponsa, hortus conclusus, fons signatus" ("A garden enclosed is my sister, my spouse; a garden enclosed, a fountain sealed up.") [6] This provided the shared ...
Maecenas was homosexual but he loved his wife. According to Seneca, he divorced and remarried her several times because he was unhappy about her infidelity but could not help loving her. All Seneca's books mention some details of his life ; another important source is Elegies on Maecenas.
[3]: 7 The site chosen for the baths formerly belonged to a vast garden estate known as the horti Asiniani, developed by Gaius Asinius Pollio during the reign of Augustus. [4] The Farnese Bull sculptural group that was later moved into the Baths of Caracalla was already present at the site in the time of Pollio, who had imported it to display ...