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A playwright or dramatist is a person who writes plays, which are a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than just reading.
A. Leroy F. Aarons; Jacob Ralph Abarbanell; Reza Abdoh; Lionel Abel; Rosalie Abrams; Rob Ackerman (playwright) Frank R. Adams; J. T. Adams; Lee Adams; Liz Duffy Adams
Depending on culture, the differences between the meaning of "Dramatist" and the meaning of "Playwright" are perceived otherwise. In light of this, please do not use the "Playwrights" and "Dramatists" subcategories of this category anymore, but move articles from either "Dramatists" or "Playwrights" to this category instead.
A dramaturge or dramaturg (from Ancient Greek δραματουργός dramatourgós) is a literary adviser or editor in a theatre, opera, or film company who researches, selects, adapts, edits, and interprets scripts, libretti, texts, and printed programmes (or helps others with these tasks), consults authors, and does public relations work.
Thomas Baker (dramatist) Lady Kinvara Balfour; Chris Ballance; John Bancroft (dramatist) John Banks (playwright) Maurice Baring; Kieron Barry; Mike Bartlett (playwright) Sulayman Al-Bassam; Adrian Batten; Beaumont and Fletcher; Beaumont and Fletcher folios; Charles Beckingham; Daubridgecourt Belchier; Thomas Bellamy (writer) Fettiplace Bellers ...
Roderick Aldon Walcott, OBE (23 January 1930 – 6 March 2000), was a St Lucian playwright, screenwriter, painter, theatre director, costume and set designer, lyricist and literary editor. [1] As a dramatist he "has been recognised as one of the most committed figures in the effort to develop a distinctive Caribbean theatre in the region". [ 2 ]
Аԥсшәа; العربية; Aragonés; Asturianu; Azərbaycanca; বাংলা; 閩南語 / Bân-lâm-gú; Башҡортса; Беларуская ...
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.