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The Voice of the Ancient Bard is a poem written by the English poet William Blake. It was published as part of his collection Songs of Innocence in 1789, but later moved to Songs of Experience , the second part of the larger collection Songs of Innocence and of Experience , 1794.
"The Voice of the Ancient Bard" immediately precedes the Introduction to "Songs of Experience" in some copies of the Songs, and Earth's Answer follows in all copies. [2] In the poem, Blake's narratorial voice acts as the Ancient Bard and the Prophet, who hears Jehovah speaking to Adam in the Garden of Eden.
Songs of Experience is a collection of 26 poems forming the second part of Songs of Innocence and of Experience. The poems were published in 1794 (see 1794 in poetry). Some of the poems, such as "The Little Girl Lost" and "The Little Girl Found", were moved by Blake to Songs of Innocence and were frequently moved between the two books. [note 1]
Blake's poems have been set to music by many composers, including Ralph Vaughan Williams and Benjamin Britten. In the early twentieth century British Classical songwriters regularly set his work for voice or choir. The most famous musical setting is Hubert Parry's hymn Jerusalem, which was written as a patriotic song during World War I.
For other uses, see Bard (disambiguation). Title-page of The Bard illustrated by William Blake, c. 1798 The Bard. A Pindaric Ode (1757) is a poem by Thomas Gray, set at the time of Edward I's conquest of Wales. Inspired partly by his researches into medieval history and literature, partly by his discovery of Welsh harp music, it was itself a potent influence on future generations of poets and ...
Songs and Proverbs of William Blake is a song cycle composed by Benjamin Britten (1913–76) in 1965 for baritone voice and piano and published as his Op. 74. The published score states that the words were "selected by Peter Pears" from Proverbs of Hell, Auguries of Innocence and Songs of Experience by William Blake (1757–1827).
In this book, a character by the name of Owen MacCarthy is a bard known for his training with the native language as well as English. He is turned to write specific, important letters by a group named the "Whiteboys". They are in need of someone skilled with writing letters, such as a bard like MacCarthy.
Rose was said to have been the first to buy a copy of Philip James Bailey's 1839 poem Festus, which had been slow to leave the shelves of Wilmot Henry Jones, 'the 'Manchester Moxon, the provincial poets printer'. [5] The Chartist bookbinder Benjamin Stott included a sonnet to Rose in his Songs for the millions, and other poems (1843). [6]