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Chinese furniture is mostly in plain, polished wood, but from at least the Song dynasty, the most luxurious pieces often used lacquer to cover the whole or parts of the visible areas. All the various sub-techniques of Chinese lacquerware can be found on furniture, and became increasingly affordable down the social scale—thus widely used ...
Coromandel lacquer, probably originally from a screen, worked up into a cabinet for medals in France in the 1720s. Coromandel lacquer is a type of Chinese lacquerware, latterly mainly made for export, so called only in the West because it was shipped to European markets via the Coromandel coast of south-east India, where the Dutch East Indies Company (VOC) and its rivals from a number of ...
Wood-carving examples of the first eleven centuries of CE are rare due to the fact that woods do decay easily in 1,000 years. The carved panels of the main doors of St Sabina on the Aventine Hill, Rome, are very interesting specimens of early Christian relief sculpture in wood, dating, as the dresses show, from the 5th century. The doors are ...
Dongyang wood carving can be traced back to the Tang dynasty (618–907 AD), but it reached its peak during the Ming (1368–1644) and Qing (1644–1911) dynasties. The city of Dongyang emerged as a hub for wood carving due to its abundance of high-quality wood resources and a favorable climate that allowed for skilled craftsmanship.
Carved lacquer or Qidiao (Chinese: 漆雕) is a distinctive Chinese form of decorated lacquerware. While lacquer has been used in China for at least 3,000 years, [ 1 ] the technique of carving into very thick coatings of it appears to have been developed in the 12th century CE.
The Yin Yu Tang house, photographed from an upstairs window in the Peabody Essex Museum Intricately carved wooden panels on the first floor of the Yin Yu Tang House. Yin Yu Tang House (蔭餘堂) is a late 18th-century Chinese house from Anhui province that had been removed from its original village and re-erected in Salem, Massachusetts.
In the Tang dynasty (618–907), Chinese lacquerware saw a new style marked by the use of sheets of gold or silver made in various shapes, such as birds, animals, and flowers. [13] The cut-outs were affixed onto the surface of the lacquerware, after which new layers of lacquer were applied, dried, and then ground away, so the surface could be ...
Chinese lacquerware table, 1425-1436 V&A Museum no. FE.6:1 to 4-1973. This carved lacquerware table in the Victoria and Albert Museum in London is from the Ming dynasty (1368–1644). It is unique in shape and decoration and is one of the most important objects from the period.
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