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Jorge Alberto Negrete Moreno (Spanish pronunciation: [ˈxoɾxe neˈɣɾete]; 30 November 1911 – 5 December 1953) was a Mexican singer and actor. He specialized in the musical genre of ranchera . His posthumous album "Fiesta Mexicana Volumen II" has been ranked by critics at No. 163 on their list of the greatest Latin albums of all time.
The song has been covered by many different artists including Vicente Fernández, [5] Aidá Quevas, Plácido Domingo, [6] Lola Beltrán, [7] Julio Iglesias, [8] Trío Los Panchos, [9] El Charro Gil y Sus Caporales, [10] Francisco Canaro [11] Jorge Negrete his grandson Lorenzo Negrete and Pedrito Fernández.
It's Not Enough to Be a Charro (Spanish: No basta ser charro) is a 1946 Mexican musical comedy film directed by Juan Bustillo Oro and starring Jorge Negrete, Lilia Michel and Armando Soto La Marina. [1] [2] It was shot at the Clasa Studios in Mexico City. The film's sets were designed by the art director Vicente Petit.
Rafael Negrete, is a Mexican actor and Opera singer, who also performs traditional Mexican music. Rafa Negrete, as often called, is the grandson of the Mexican legendary icon Jorge Negrete [1] Negrete is a tenor. [2] but also he has sung various baritone roles. [3] He has a degree in Opera singing by the National Conservatory of Music.
México lindo y querido" is a traditional mariachi and ranchera Mexican song written by Chucho Monge and made famous by singer Jorge Negrete ("the singing charro"). [1] He sang it in the 1952 movie Forever Yours. [2] It is widely known throughout the Spanish-speaking world for its characterization of patriotism and loyalty for the land of ...
Jalisco Sings in Seville (Spanish: Jalisco canta en Sevilla) is a 1949 Mexican-Spanish musical comedy film directed by Fernando de Fuentes and starring Jorge Negrete, Carmen Sevilla and Jesús Tordesillas. [1] [2] This film represents the first Mexican-Spanish cinematic co-production.
Following the 1957 death of Pedro Infante in a plane crash in Mérida, Yucatán, Solís experienced a surge of popularity, not least because he was considered the last of the "Three Mexican Roosters" who along with Infante and Jorge Negrete, had been the idols of Mexican music and cinema. [6]
In 1943 she worked in Doña Bárbara with María Félix, Romeo y Julieta, with Cantinflas, and Así se quiere en Jalisco, with Jorge Negrete. She worked again with Negrete in Me he de comer esa tuna (1945) and Tal para cual (1951).