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The γ (gamma) scale is a non-octave repeating musical scale invented by Wendy Carlos while preparing Beauty in the Beast (1986) though it does not appear on the album. It is derived from approximating just intervals using multiples of a single interval without, as is standard in equal temperaments , requiring an octave (2:1).
Print/export Download as PDF; Printable version; ... Gamma scale — Play ⓘ — — — ... This page was last edited on 9 February 2025, ...
Sympathetic resonance has been applied to musical instruments from many cultures and time periods, and to string instruments in particular. In instruments with undamped strings (e.g. harps, guitars and kotos), strings will resonate at their fundamental or overtone frequencies when other nearby strings are sounded. For example, an A string at ...
The Railsback curve shows how a piano tuned to compensate for inharmonicity deviates from theoretically correct equal-tempered tuning. The Railsback curve, first measured in the 1930s by O.L. Railsback, a US college physics teacher, expresses the difference between inharmonicity-aware stretched piano tuning, and theoretically correct equal-tempered tuning in which the frequencies of successive ...
A man tuning an upright piano. Piano tuning is the process of adjusting the tension of the strings of an acoustic piano so that the musical intervals between strings are in tune. The meaning of the term 'in tune', in the context of piano tuning, is not simply a particular fixed set of pitches. Fine piano tuning requires an assessment of the ...
Aliquot stringing is the use of extra, un-struck strings in a piano for the purpose of enriching the tone. Aliquot systems use an additional (hence fourth) string in each note of the top three piano octaves. This string is positioned slightly above the other three strings so that it is not struck by the hammer.
Eonta, for 2 trumpets, 3 trombones and piano (1963–64) Palimpsest, for English horn, bass clarinet, bassoon, horn, percussion, piano and string quintet (1979) Dikhthas, for violin and piano (1979) Thalleïn, for piccolo, oboe, clarinet, bassoon, horn, piccolo trumpet, trombone, percussion, piano and string quintet (1984)
By repeating open-string notes and by having uniform intervals between strings, major-thirds tuning simplifies learning by beginners. These features also facilitate advanced guitarists' improvisation , [ 2 ] [ 3 ] precisely the aim of jazz guitarist Ralph Patt when he began popularizing major-thirds tuning between 1963 and 1964.
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