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The character is named in the title of a Wallace Stevens poem, "Peter Quince at the Clavier", which is written in the first person as if spoken by Quince. [4] Peter Quince is mentioned in Johann von Goethe's Faust (Part II, Act IV). Peter Quince is a major character and antagonist in the 2019 video game Elsinore, alongside characters mostly ...
Richard Bell – Me ; Jason Benjamin – I sat by the river. I waited by the road ; Filippa Buttitta – Judy Cassab ‒ portrait of an artist ; Mitch Cairns – Peter Powditch ; Tom Carment – Self-portrait at 60 ; Wei Bin Chen – The artist ‒ self-portrait no 6 ; Peter Churcher – The last portrait ; Samuel Rush Condon – Jarratt ; Tony ...
The National Portrait Gallery Collection, 1988. Page 203 colour illustration The Liverpool Poets Oil on canvass, 175.9 x 237.5 By Peter Edwards, 1985 (5853) ISBN 0-904017-89-3; Contemporary Poets, Portraits By Peter Edwards, A National portrait Gallery Exhibition, 1990. "Foreword" by Robin Gibson Curator 20th Century Collection.
B21, Self-portrait leaning on a Sill, etching, 1639, 2 states. The pose draws on portraits by Titian and Raphael, A Man with a Quilted Sleeve (NG, London) and Portrait of Baldassare Castiglione (Louvre) respectively. [1] Self-Portrait at the Age of 34 is a self-portrait by Rembrandt, dating to 1640 and now in the National Gallery in London.
Auger, Peter, 'The Octonaire in Thomas Smith's Self-Portrait', Huntington Library Quarterly 80 (2017), 1–19. Fairbanks, Jonathan L., “Portrait Painting in Seventeenth-Century Boston: Its History, Methods, and Materials,” in New England Begins: The Seventeenth Century , ed. Jonathan L. Fairbanks and Robert F. Trent, 3 vols. Boston: Museum ...
The Peter Quince of the title is the character of one of the "mechanicals" in Shakespeare's A Midsummer Night's Dream. Stevens' poem titles are not necessarily a reliable indicator of the meaning of his poems, but Milton Bates suggests that it serves as ironic stage direction, the image of "Shakespear's rude mechanical pressing the delicate ...
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Gluck (born Hannah Gluckstein; 13 August 1895 – 10 January 1978) was a British painter, who rejected any forename or honorific (such as "Miss" or "Mr"), also using the names Peter and Hig. Gluck joined the Lamorna artists' colony near Penzance , and was noted for portraits and floral paintings, as well as a new design of picture-frame.
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