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The talharpa, also known as a tagelharpa (tail-hair harp), hiiu kannel (originally hiiurootsi (which meant Vormsi island located on the halfway to Hiiumaa) kannel) or stråkharpa (bowed harp), is a two to four stringed bowed lyre from northern Europe. It is questionable whether it was formerly common and widespread in Scandinavia.
The four-stringed Estonian talharpa and hiiu kannel have a wider hand hole and can play a wider range and shifting drones. [12] The Welsh crwth is the most developed of this family to survive, with six strings, a fingerboard, and a complex playing style. Extinct or obscure variants include the Shetland gue and the English crowd.
Talharpa See Rotte for the psaltery, or Rotta for the plucked lyre. The crwth ( / k r uː θ / KROOTH , Welsh: [kruːθ] ), also called a crowd or rote or crotta , is a bowed lyre , a type of stringed instrument , associated particularly with Welsh music , now archaic but once widely played in Europe.
Talharpa. Welsh and Middle English words for the 3-5 string bowed instrument included crwth, chorus, crot, and crowd. [39] Irish used cruit (indicating a lyre and later a frame harp). [39] Seen in Wales into the 18th century. [39] Modern surviving instruments come from Karelia (jouhikko), the Estonian hiiukannel, Swedish stråkharpa, and ...
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
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Talharpa is part of WikiProject Estonia, a project to maintain and expand Estonia-related subjects on Wikipedia. If you would like to participate, you can edit the article attached to this page, or visit the project page , where you can join the project and/or contribute to the discussion .
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent.It is the oldest known style of major vocal styles associated with Hindustani classical music (for example in the Haveli Sangeet of Pushtimarg Sampradaya [citation needed]), and is also related to the South Indian Carnatic tradition.
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