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The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house. The sideboard was most often the focal point, which attracts visitor’s eyes immediately when they go into a room or space, [ 1 ] of the dining room and very ...
The former House and School of Industry at 120 West 16th Street in New York City Simon C. Sherwood House (1884), Southport, Connecticut. The British 19th-century Queen Anne style that had been formulated there by Norman Shaw and other architects arrived in New York City with the new housing for the New York House and School of Industry [3] at 120 West 16th Street (designed by Sidney V ...
Starting from the early classicism inherited from Regency architecture, the Italianate style gained influence in the 1840s and 1850s, and the Gothic Revival style became prevalent by the 1880s. Later in the Victorian era , the Queen Anne style and the Arts and Crafts movement increased in influence, resulting in the transition to styles ...
Sep. 21—BEECH ISLAND — A Victorian link to Aiken County's textile history has received some intense attention over the past couple of years, and potential buyers may get a look at an 1880s ...
New Albany's Mansion Row features a plethora of homes, including this Queen Anne Victorian with a brick-red, mustard yellow, and forest green exterior
A list of these styles most commonly includes Second Empire (1855–85), Stick-Eastlake (1860–c. 1890), Folk Victorian (1870–1910), Queen Anne (1880–1910), Richardsonian Romanesque (1880–1900), and Shingle (1880–1900). As in the United Kingdom, examples of Gothic Revival and Italianate continued to be constructed during this period ...
Pages in category "1880s architecture in the United States" The following 53 pages are in this category, out of 53 total. This list may not reflect recent changes .
The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman, was first published in 1897.In the book, the authors denounce Victorian-style interior decoration and interior design, especially rooms decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture.
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