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These ornaments adorn the head, ear, neck, hands, fingers and waist of the dancer. The ornaments include a choker, padaka-tilaka (a long necklace), bahichudi or tayila (armlets), kankana (bracelets), a mekhalaa' (belt), anklets, bells, kapa (earrings) and a seenthi (ornament work on the hair and forehead). These ornaments are embellished with ...
A Nepali woman with a tilaka on her forehead. In Hinduism, the tilaka (Sanskrit: तिलक), colloquially known as a tika, is a mark worn usually on the forehead, at the point of the ajna chakra (third eye or spiritual eye) and sometimes other parts of the body such as the neck, hand, chest, or the arm. [1]
Kreedam, golden crown worn by Deities and Kings, studded with precious stones and gems. Nethi chutti or Vagupu chutti or Chutti, Jewel for the forehead. Rakkodi, used in the backhead, to hold the bunch of lengthy soft hair spun and tied; Surya & Chandra Pirai, Sun & Moon shaped ornamental jewel used to decorate their forehead.
North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
Bindis are a staple and symbolic for women in the Indian subcontinent. [22] In addition to the bindi, in India, a vermilion mark in the parting of the hair just above the forehead is worn by married women as a symbol of life-long commitment to their husbands. During all Hindu marriage ceremonies, the groom applies sindoor in the part in the ...
A bandana or bandanna (from Hindi and Urdu, ultimately from Sanskrit बन्धन or bandhana, "a bond") [2] is a type of large, usually colourful kerchief, originating from the Indian subcontinent, often worn on the head or around the neck of a person.
North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams. ISBN 978-0-8109-3689-8. Fundaburk, Emma Lila; Foreman, Mary Douglass Fundaburk (2001) [1957]. Sun Circles and Human Hands: the Southeastern Indians - Art and Industry. Tuscaloosa: University of Alabama Press. ISBN 978-0-8173-1077-6.
A Shilha musician wearing two large triangular brooches in the Souss region of Morocco at the beginning of the 20th century.. An Amazigh fibula (Tarifit: ⵜⵉⵙⵖⵏⵙⵜ, romanized: Tisɣnst, Tachelhit: ⵜⴰⵥⵕⵥⵉⵜ, romanized: Taẓṛẓit, Moroccan Arabic: تزرزيت, romanized: taẓṛẓit) is a traditional fibula or brooch with practical and symbolic importance in ...
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