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The word itself, vytynanky, gained currency in the early twentieth century, but there were many other, regional words that were used too — stryhuntsi, khrestyky or kvity to mention but a few. The vytynanky shapes were of many kinds and represented stylized figures of people, animals and plants.
Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject.
The Japanese used paper for origami, the art of paper folding, and dating back to 800 AD they folded paper figurines in the shape of kimono. Balinese people made paper and leather into puppets since before the Christian Era. Other cultures around the world have had paper formations or paper art, including in Poland, where they were called ...
Noburo Ofuji worked primarily with cutout animation, for instance using chiyogami (Japanese colored paper) in 馬具田城の盗賊 (Burglars of "Baghdad" Castle) (1926). [8] Le merle (1958) by Norman McLaren is a combination of (white) cut-outs and (pastel) backgrounds to the music of the French folksong "Mon Merle". [9]
Strata-cut animation Most commonly a form of clay animation in which a long bread-like "loaf" of clay, internally packed tight and loaded with varying imagery, is sliced into thin sheets, with the animation camera taking a frame of the end of the loaf for each cut, eventually revealing the movement of the internal images within. [91] Cutout ...
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