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"Evil Ways" is a song made famous by Mexican-American rock band Santana from their 1969 self-titled debut album. It was written by Clarence "Sonny" Henry and originally recorded by jazz percussionist Willie Bobo on his 1967 album Bobo Motion. Alongside Santana's release in 1969, "Evil Ways" was also recorded by the band The Village Callers. [1]
Santana is the debut studio album by American Latin rock band Santana. It was released on August 22, 1969. It was released on August 22, 1969. Over half of the album's length is composed of instrumental music, recorded by what was originally a purely free-form jam band .
Print/export Download as PDF ... move to sidebar hide. Evil Ways may refer to: "Evil Ways" (Drake song) "Evil Ways" (Santana song) This page was last ...
Ebony's Phyl Garland described the album as "a free form funfest bound to delight the followers of both these super-stars of rock," on which "Santana's Latin soul is fused with Buddy Miles' hypnotic beat to create a mood of frantic immediacy." [3]
The Ultimate Collection is a 1997 compilation album by Santana. It is unique in that it includes material from his early Columbia days up to the 1992 Milagro release on Polydor. No other compilation album includes material from Milagro.
The instrumental, "Samba Pa Ti" ("Samba for You"), was written by Santana when he saw a jazz saxophonist performing in the street outside his apartment. [3]: par. 5 [4]: 36 It was later covered by José Feliciano, who added lyrics, and also by Angélique Kidjo, who put lyrics in Yoruba, on her album Oyo.
"Europa (Earth's Cry Heaven's Smile)" is an instrumental from the Santana album Amigos, written by Carlos Santana and Tom Coster. It is one of Santana's most popular compositions and it reached the top in the Spanish Singles Chart in July 1976. [1] The 16-bar chord progression follows the Circle of Fifths, similar to the jazz standard "Autumn ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.