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Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo ...
Della Vecchia probably worked in Padovanino's workshop after his return from Rome in 1625 or 1626. Padovanino, whose style was strongly rooted in early-16th-century Venetian art, likely played an important role in instilling in della Vecchia a great interest in 16th-century painting in Venice and the Veneto. [2]
At the end of the 17th century things began to change dramatically, and for much of the 18th century Venetian painters were in remarkable demand all over Europe, even as the city itself declined and was a much reduced market, in particular for large works; [46] "Venetian art had become, by the mid-eighteenth century, a commodity primarily for ...
Antonio Gaspari (late 17th century), architect, student of Baldassare Longhena [9] Giuseppe Vittore Ghislandi or Fra' Galgario (1655–1743), painter, trained in Venice; Michele Giambono (c. 1400–c. 1462), painter and mosaic maker; Giorgione (c. 1477/8–1510), painter, with Titian founded the Venetian school of Renaissance Painting
St. Jerome in the Desert, c. 1455; Tempera on panel; Barber Institute, Birmingham [6]. Giovanni Bellini was born in Venice.The painter Jacopo Bellini had long been considered Giovanni's father, but the art historian Daniel Wallace Maze has advanced the theory that in fact, Jacopo was his much elder brother. [4]
Painting by Bassano, Allegory of the Element Earth, believed in the 16th century to be one of the four elements. [2] The Walters Art Museum. His success grew substantially in Venice. Leandro was awarded a knighthood from Doge of Venice Marino Grimani in 1595. [3] He lived his remaining days in that city, working as a painter.
Andrea Meldolla (Croatian: Andrija Medulić), also known as Andrea Schiavone or Andrea Lo Schiavone, literally "Andrew the Slav", (c. 1510/15–1563) was an Italian Renaissance painter and etcher, born in Dalmatia, in the Republic of Venice (present-day Croatia) to parents from Emilia-Romagna, active mainly in the city of Venice. [1]
Little is known of his training. As a Venetian he was influenced by Giovanni Bellini as he had a good knowledge of contemporary Venetian painting. Though Bellini was doubtless not his teacher, the influence is clear in his early painting Virgin and Child with St. Jerome (1506; National Gallery of Scotland, Edinburgh).