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The use of dark subjects dramatically lit by a shaft of light from a single constricted and often unseen source, was a compositional device developed by Ugo da Carpi (c. 1455 – c. 1523), Giovanni Baglione (1566–1643), and Caravaggio (1571–1610), the last of whom was crucial in developing the style of tenebrism, where dramatic chiaroscuro ...
It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker".
Hatching (French: hachure) is an artistic technique used to create tonal or shading effects by drawing (or painting or scribing) closely spaced parallel lines. When lines are placed at an angle to one another, it is called cross-hatching .
Light patterns, such as objects having light and shaded areas, help when creating the illusion of depth on paper. [2] [3] There are various techniques of shading, including cross hatching, where perpendicular lines of varying closeness are drawn in a grid pattern to shade an area. The closer the lines are together, the darker the area appears.
The colour and hatching for zibeline is the same as the sable (black) tincture, and the colour and hatching of marten is identical with the gules (red) tincture. So, in some countries these tinctures are also held as furs (mainly in the Czech heraldic traditions, but not in real use, and sometimes also in the German heraldry, which is also not ...
The strong light and the enveloping darkness makes this focus even more intense. The unusual placement of the characters also served to convey the intensity of the moment. Although Saul gets the most light, the attention is given to him in a strange way.
Contour hatching can also be seen in the drapery of the monk as well as on the battered crags in the right hand corner. Tick hatching is seen in sky which indicates the atmosphere. The vast amount of negative space in the background accentuates St. Anthony's vulnerability while the curving and horizontal lines of the devils add energy and movement.
Bernini uses two techniques in this sculpture to facilitate this contrast and add more drama to the scene. Using a claw chisel, Bernini has created large and small linear patterns across the sculpture, or hatching effect commonly seen in drawings. Areas of the sculpture, especially in the fabric, are also heavily undercut to create pockets of ...