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Women wearing the fengguan as part of their set of wedding clothing has been a long tradition in the area of Zhejiang. [11] The fengguan was a symbol of good fortune. [ 2 ] However, women who were remarrying for a second times and who were to be become a man's concubine were not allowed to wear fengguan .
There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. [1] According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [2]
The emblem's outer border contains sheaves of wheat and rice, representing Chinese agricultural workers. At the bottom center is a cog-wheel, representing Chinese industrial workers. The red ribbon represents the unification of the Chinese people. National anthem: The national anthem of China is the "March of the Volunteers".
The strict division of the sexes, apparent in the policy that "men plow, women weave" (Chinese: 男耕女織), partitioned male and female histories as early as the Zhou dynasty, with the Rites of Zhou (written at the end of the Warring States Period), even stipulating that women be educated specifically in "women's rites" (Chinese: 陰禮 ...
In 1982, Chinese working women represented 43 percent of the total population, a larger proportion than either working American women (35.3 percent) or working Japanese women (36 percent). [139] As a result of the increased participation in the labor force, women's contribution to family income increased from 20 percent in the 1950s to 40 ...
The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.
Marriage preparation might involve a Laotang relationship between several young women; the sisterhood would be dissolved upon marriage. After marriage, new sisterhoods could be formed later between married or widowed women. [1] For Chinese women, the Laotong or "old-sames" relationship was the strongest and most precious bond of female friendship.
Mazu or Matsu is a sea goddess in Chinese folk religion, Chinese Buddhism, Confucianism, and Taoism. She is also known by several other names and titles . Mazu is the deified form of Lin Moniang ( Chinese : 林 默 娘 ; pinyin : Lín Mòniáng ; Pe̍h-ōe-jī : Lîm Be̍k-niû / Lîm Bia̍k-niû / Lîm Be̍k-niô͘ ), a shamaness from Fujian ...