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A reference to Siskel & Ebert can be heard in the 1989 film, Police Academy 6: City Under Siege. At one point during a high speed chase, Captain Harris shouts: "Look out for Gene and Roger's fruit stand!" [35] This was because Siskel and Ebert hated both the cliché of fruit stands being destroyed in movie car chases and the Police Academy film ...
At the Movies (also known as At the Movies with Gene Siskel and Roger Ebert) is an American movie review television program that aired from 1982 to 1990. It was produced by Tribune Entertainment and was created by Gene Siskel and Roger Ebert when they left their show Sneak Previews, which they began on Chicago's PBS station, WTTW, in 1975.
On-screen graphic from Roger Ebert & the Movies. Ebert continued the show with a series of guest critics. [28] [29] Originally retaining the Siskel & Ebert title, the program was renamed Roger Ebert & the Movies on the weekend of September 4–5, 1999, after Siskel's death. The guests matched wits with Ebert and tested their chemistry.
At the Movies (1982 TV program), an American program, originally known as At the Movies with Gene Siskel and Roger Ebert. At the Movies (1986 TV program), a successor/competitor program (1986–2010) to the original, which was also known as Siskel & Ebert & the Movies; Ebert Presents: At the Movies, a successor program (2011)
The show continued the format originated by Ebert and Gene Siskel on their first show, Sneak Previews, and continued on At the Movies with Gene Siskel and Roger Ebert and At the Movies, [1] in which two film critics discuss the week's new releases. Occasionally, the program aired special theme episodes, such as one listing the hosts' favorite ...
Download as PDF; Printable version; ... Pages in category "Siskel and Ebert" ... out of 4 total. This list may not reflect recent changes. A. At the Movies (1982 TV ...
In 1982, Siskel and Ebert left Sneak Previews to create the syndicated show At the Movies. [2] Following a contract dispute with Tribune Entertainment in 1986, Siskel and Ebert signed with Buena Vista Television, creating Siskel & Ebert & the Movies (renamed Siskel & Ebert in 1987, and renamed again several times after Siskel's death). [2]
Roger Ebert later named it one of the worst films of 1982. [5] Gene Siskel however, liked the film, praising the performances from the leads and its go-for-broke sentiment. Ebert later related a story in which Siskel admitted that his review was influenced by his wife's pregnancy.