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Miles Davis' Greatest Hits is a compilation album by Miles Davis originally released in 1969 and re-released in 1997 on CD with different recordings of tracks 3, 4 and 8. [ 2 ] [ 3 ] Track listing 1997 CD reissue
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
Miles Davis was an American trumpeter, bandleader and musical composer.His discography consists of at least 60 studio albums and 39 live albums, as well as 46 compilation albums, 27 box sets, 4 soundtrack albums, 57 singles and 3 remix albums.
The Complete Columbia Recordings of Miles Davis with John Coltrane is a box set featuring jazz musicians Miles Davis and John Coltrane.It is the first box set in a series of eight from Columbia/Legacy compiling Davis's work for Columbia Records, and includes never-before-released alternate takes, omissions of other musicians, musician comments, false starts and a first version of compositions ...
Kind of Blue is a studio album by the American jazz trumpeter and composer Miles Davis.It was released on August 17, 1959, by Columbia Records.For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly replacing Evans on one track, "Freddie ...
Miles Ahead is an album by Miles Davis that was released in October 1957 by Columbia Records. [ 1 ] [ 2 ] It was Davis' first collaboration with arranger Gil Evans following the Birth of the Cool sessions.
Porgy and Bess (CL 1274) is a studio album by the jazz musician Miles Davis, released in March 1959 on Columbia Records. [4] The album features arrangements by Davis and collaborator Gil Evans from George Gershwin's 1935 opera of the same name.
"So What" is the first track on the 1959 album Kind of Blue by American trumpeter Miles Davis. It is one of the best-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E ♭ Dorian and another eight of D Dorian. [1]