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La casa is a 2024 Spanish slice-of-life drama film directed by Álex Montoya [] based on the graphic novel of the same name by Paco Roca.Its ensemble cast features David Verdaguer, Luis Callejo, Óscar de la Fuente, Olivia Molina, María Romanillos, Lorena López, Marta Belenguer, Jordi Aguilar, Tosca Montoya, and Miguel Rellán.
Attempting to capitalize on the successes of the Evil Dead films, Italian filmmaker Joe D'Amato produced an unofficial sequel titled La Casa 3 (later released in English-speaking countries as Ghosthouse). This in turn was followed by two more "sequels", La Casa 4 (also known as Witchery) and La Casa 5 (also known as Beyond Darkness).
This article is within the scope of WikiProject Film. If you would like to participate, please visit the project page, where you can join the discussion and see lists of open tasks and regional and topical task forces .
La casa (Spanish: "The House") is a 1954 novel by Argentine writer Manuel Mujica Lainez. [1]It tells the story of a family living in a stately Buenos Aires mansion from the heyday of Argentina's oligarchy in the 1880s to some time in the post-1946 period, the era of Peronist populism, seen typically as incarnating the end of History, the crisis of modern civilization.
Money Heist (Spanish: La casa de papel, [la ˈkasa ðe paˈpel], lit. ' The House of Paper ') is a Spanish heist crime drama television series created by Álex Pina.The series traces two long-prepared heists led by the Professor (Álvaro Morte), one on the Royal Mint of Spain, and one on the Bank of Spain, told from the perspective of one of the robbers, Tokyo (Úrsula Corberó).
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The House on the Edge of the Park (Italian: La casa sperduta nel parco) is a 1980 English-language Italian exploitation horror film written by Gianfranco Clerici and Vincenzo Mannino, and directed by Ruggero Deodato.
Money Heist: The Phenomenon (Spanish: La casa de papel: El Fenómeno, "The House of Paper: The Phenomenon") is a 2020 Spanish behind-the-scenes documentary film directed by Luis Alfaro and Pablo Lejarreta, and written by Lejarreta and Javier Gómez Santander.
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