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A prologue or prolog (from Greek πρόλογος prólogos, from πρό pró, "before" and λόγος lógos, "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information.
Indeed, like many fans, I had felt that the story was becoming as much Shallan’s as Kaladin’s; she merited equal representation in the book’s design, as far as it was possible to do so." On January 8, 2014, Tor Books released the prologue and first two chapters of the book as previews with points-of-view of Jasnah, Shallan and Kaladin. [15]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In The Amory Wars, a tale told through the music of Coheed and Cambria, tells a story for the first two albums but reveals that the story is being actively written by a character called the Writer in the third. During the album, the Writer delves into his own story and kills one of the characters, much to the dismay of the main character.
When any of these 4 key words is used alone in place of the full title of a specific tale (or prologue, etc.), it is capitalized. Correct: The Wife of Bath's Tale Incorrect: the Wife of Bath's tale; the Wife of Bath's Tale; The Wife of Bath's Tale; "The Wife of Bath's Tale" Correct: as the Wife of Bath makes clear both in her Prologue and her Tale
Punctuation can be used to introduce ambiguity or misunderstandings where none needed to exist. One well known example, [17] for comedic effect, is from A Midsummer Night's Dream by William Shakespeare (ignoring the punctuation provides the alternate reading). Enter QUINCE for the Prologue Prologue If we offend, it is with our good will.
The long quotation from Dante's Inferno that prefaces T. S. Eliot's "The Love Song of J. Alfred Prufrock" is part of a speech by one of the damned in Dante's Hell. The epigraph to E. L. Doctorow's Ragtime quotes Scott Joplin's instructions to those who play his music, "Do not play this piece fast. It is never right to play ragtime fast."
When written by the author, the foreword may cover the story of how the book came into being or how the idea for the book was developed, and may include thanks and acknowledgments to people who were helpful to the author during the time of writing. [1] Unlike a preface, a foreword is always signed.