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The twin brothers were born to Arthur Boulting and his wife Rosetta (Rose) née Bennett in Bray, Berkshire, England, on 21 December [2] 1913. John was the elder by half an hour. John was named Joseph Edward John Boulting and Roy was named Alfred Fitzroy Clarence Boulting.
In July 1963, it was announced that David Susskind would make a film of the play as a co-production with the Boulting brothers, with John producing and Roy directing. Roy Boulting was writing a script with Naughton and Susskind and was hopeful that Peter Sellers, who had made several films with the Boultings, would play the father. [13]
Seagulls Over Sorrento is a 1954 British war drama film made by the Boulting brothers based on the play of the same name by Hugh Hastings. The film stars Gene Kelly and was one of three made by Kelly in Europe over an 18-month period to make use of frozen MGM funds. The cast features John Justin, Bernard Lee and Jeff Richards.
In 1955 Carmichael was contacted by the filmmaker twins the Boulting brothers. They wanted him to appear in two film versions of novels—Private's Progress by Alan Hackney and Brothers in Law by Henry Cecil—with an option for five films in all; [41] [42] the final contract was for a total of six films. [43]
The fortune grew to £100,000 when in 1954 a film version made by the Boulting brothers was released. [5] Hastings has an uncredited movie role in the 1952 film Gift Horse, on which he worked on the script. Hastings also wrote the dialogues for a Marghanita Laski melodrama, It Started in Paradise (1952).
The Guinea Pig is a 1948 British film directed and produced by the Boulting brothers, known as The Outsider in the United States. The film is adapted from the 1946 play of the same name by Warren Chetham-Strode. [3]
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The Monthly Film Bulletin wrote: "For once, the familiar Boulting Brothers' formula of uninhibited contemporary satire has placed itself in an extremely invidious position. Jokes about colonial administration, U.N. efforts to quell local revolutions, and American and Russian spheres of influence, have uncomfortable topical parallels; even if ...