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A section of kumo shibori (spider shibori) dyed with indigo, next to kumo shibori that has not been dyed yet. Shibori (しぼり/絞り, from the verb root shiboru – "to wring, squeeze or press" [1]: 7 ) is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric.
Batik, created using the technique of wax-resist dyeing originated from Indonesia. Resist dyeing (resist-dyeing) is a traditional method of dyeing textiles with patterns. Methods are used to "resist" or prevent the dye from reaching all the cloth, thereby creating a
An example of a tie-dyed T-shirt A video about how to tie-dye. Tie-dye is a term used to describe a number of resist dyeing techniques and the resulting dyed products of these processes. The process of tie-dye typically consists of folding, twisting, pleating, or crumpling fabric or a garment, before binding with string or rubber bands ...
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Techniques such as resist-dyeing are commonly used. These techniques range from intricate shibori tie-dye to rice paste resist-dyeing (yūzen etc.). Though other forms of resist, such as wax-resist dye techniques, are also seen in kimono, forms of shibori and yūzen are the most commonly seen. [citation needed]
The background is dyed by covering all of the already-dyed areas with additional resist pastes, then applying the background dye either with a brush (hiki-zome), [3] or by dipping the fabric in a vat of dye (ji-zome), [4] sometimes with additional shibori (tie-dye) patterning. [3]
Senior postdoctoral fellowship for the National Museum of American Art, Washington, DC. Research project The Development of American Shibori / Tie Dye/Shaped-resist since the 1960s. Washington, D.C; 1983. The Indo-U.S. Sub-Commission on Education and Culture, Fellowship for research on tie-dyed textiles: bandhani, lahariya and ikat.
Batik, shibori and tie-dye are among many styles of resist dyeing. [3] [4] Wax or grease can also be used as a resist in pottery, to keep some areas free from a ceramic glaze; the wax burns away when the piece is fired. [5] Song dynasty Jizhou ware used paper cut-outs and leaves as resists or stencils under glaze to create patterns. [6]
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