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"The God Abandons Antony" refers to Plutarch's story of how Antony was besieged in Alexandria by Octavian.On the eve of Octavian's attack, suddenly in the middle of the night there were sounds of instruments and voices of a procession making its way through the city, stopped only at the gates of the city. [1]
Milton portrays God as often conversing about his plans and his motives for his actions with the Son of God. The poem shows God creating the world in the way Milton believed it was done, that is, God created Heaven, Earth, Hell, and all the creatures that inhabit these separate planes from part of Himself, not out of nothing. [ 26 ]
Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio.It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology.
In Agony in the Garden, Jesus prays in the garden after the Last Supper while the disciples sleep and Judas leads the mob, by Andrea Mantegna c. 1460.. In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary [8] and the First Station of the Scriptural Way of the Cross (second station in the Philippine version).
"Rig in Great-grandfather's Cottage" (1908) by W. G. Collingwood. Rígsþula or Rígsmál (Old Norse: 'The Lay of Ríg') [1] is an Eddic poem, preserved in the manuscript (AM 242 fol, the Codex Wormianus), in which a Norse god named Ríg or Rígr, described as "old and wise, mighty and strong", fathers the social classes of mankind.
The poem identifies “Paradise” with the time when “man there walked without a mate.” [18] [19] As critic Nicholas Murray comments, the Edenic state in "The Garden" is a "state of unsexual bliss where pleasure was solitary.” [20] Critic Jonathan Crewe argues that the phrase "garden-state" "captures the tendency of Renaissance pastoral ...
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In Buddhist discourses, the Great Renunciation and Departure are usually mentioned in the life of the Buddha, among several other motifs that cover the religious life of the Buddha-to-be, Prince Siddhārtha Gautama (Pali: Siddhattha Gotama): his first meditation, marriage, palace life, four encounters, life of ease in palace and renunciation, great departure, encounter with hunters, and ...