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The song was praised by Jon Bon Jovi as "the best ballad Mötley Crüe have ever written.” [4] When informed of this, Nikki Sixx laughed because of the gruesome meaning behind the song. [citation needed] As Sixx would later relate in his Heroin Diaries memoir, "You're All I Need" was inspired by some real-life violent impulses.
Girls, Girls, Girls has received mixed but generally positive reviews. In their June 12, 1987, issue The Georgia Straight applauded Mick Mars' guitar being featured more prominently in the final mix than it had been on 1985's Theatre of Pain, and called it their best work since 1981's Too Fast for Love.
Music videos 32 The discography of Mötley Crüe , an American heavy metal band, consists of nine studio albums , three live albums , three EPs , eight compilation albums , three box sets , nine DVD , 31 singles , and 32 music videos .
"Girls, Girls, Girls" is a single by American heavy metal band Mötley Crüe. It is the first single from the album of the same name, and was released on May 13, 1987.. The song pays tribute to strippers, referencing iconic stripper clubs in Los Angeles' Sunset Strip, Vancouver, Fort Lauderdale, Atlanta and Paris.
Ten free and legal downloads or streams sure to strike the ear of the cash- strapped college student. 1.Dale Earnhardt Jr. Jr.: "Vocal Chords" Don't confuse Dale Earnhardt Jr. Jr. with the race ...
The song was released in the music game series Rock Band as downloadable content the day the single was released. It was briefly sold as a Rock Band exclusive, making Mötley Crüe the first band to release a single exclusively through a video game. [134] The song sold more units via Rock Band than it did via traditional streaming sites. [135]
Music to Crash Your Car To: Vol. 1 is the first box set by the American glam metal band Mötley Crüe. Released on November 11, 2003, it contains the band's first four albums in their reissued format (i.e. including the bonus tracks): Too Fast for Love , Shout at the Devil , Theatre of Pain and Girls, Girls, Girls .
The song is often referred to as a power ballad, and its success became a lucrative, marketing template for other hair bands of the late 1980s. [7] The song ranks number 12 on VH1's list of the greatest power ballads. Cash Box said that the song has "a slow-rocking groove and a surprisingly melodic verse and chorus," making it "a pleasant metal ...