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The PA announcement at the end of the episode is a reference to the battle of Solma-Ri, also known as "Gloucesters Hill" or the battle of the Imjin River. Mention of this battle places the date this episode is set as being between April 22nd and 25th, 1951, with the high casualty figure indicating a most probable date of either the 24th or 25th ...
Aired on April 1. MBC Music & Lyrics: Episode 3, which aired in four parts from April 14 to May 5, with actress Lee Si-young, where they were tasked to create a song for upcoming girl group, Tiny-G. MBC Music Show Champion: Park was interviewed on the show with Lee Si-young as a part of Music & Lyrics filming, watching Tiny-G perform "Polaris".
Kicking off a season is always hard, especially when the series is following a story arch throughout the entire season. We know that the baby is coming and a lot of things will be based on it, but the way they got us into it with tonights episode was fantastic." [4] Dalene Rovenstine from the Paste Magazine gave the episode 7/10. [5]
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"Intro to Felt Surrogacy" is the 9th episode of the fourth season and 80th overall episode of the NBC sitcom Community, which originally aired on April 11, 2013. The episode was written by Gene Hong, and directed by Tristram Shapeero. The episode features the study group as puppets and several original musical numbers.
Better Call Saul episode: Episode no. Season 4 Episode 1: Directed by: Minkie Spiro: Written by: Peter Gould: Featured music "We Three (My Echo, My Shadow and Me)" by The Ink Spots: Editing by: Skip Macdonald: Original air date: August 6, 2018 () Running time: 46 minutes: Guest appearances; Ed Begley Jr. as Clifford Main; Javier Grajeda as Juan ...
Murphy is responsible for selecting all of the songs used, and strives to maintain a balance between show tunes and chart hits, as he wants there to be "something for everybody in every episode." [ 3 ] Once Murphy selects a song, rights are cleared with its publishers by music supervisor P.J. Bloom, and music producer Adam Anders rearranges it ...
[1] "For All Debts Public and Private" is one of only two Sopranos episodes in which the end credits roll on top of a picture (the eye of the twenty-dollar bill in this case) instead of a black background (the other episode is "Cold Cuts" from Season 5) and the only episode in which they do so for the entire duration of the credits.
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