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Toggle Personal life subsection. 3.1 Marriages and family. ... Margaret Brooke Sullavan (May 16, 1909 – January 1, 1960) [1] was an American stage and film actress.
Margaret Sullavan died of an accidental drug overdose on January 1, 1960. [10] [11] Nine months later, on October 17, 1960, Hayward's younger sister Bridget was found dead of a drug overdose in her apartment in New York City. Bridget left what was described as an "incoherent note", the contents of which never were made public. [12]
Margaret Sullavan – Brooke's mother, who was both a Hollywood and a Broadway star, by all accounts a superb actress, and known for her husky voice and "irresistible crooked grin." [ 2 ] She performed with the University Players at Harvard, made her Broadway debut in 1926, [ 8 ] and starred in 16 films including the classics Only Yesterday ...
Fonda married actress Margaret Sullavan in 1931; they divorced in 1933. He married Frances Seymour Brokaw – the mother of Jane and Peter Fonda – in 1936, but she “took her life in a ...
He married actress Margaret Sullavan in 1950; she died of barbiturate poisoning in 1960. Wagg later described "the memories of an all too brief life with the most upright, unique and attractive character I had ever met". [citation needed]
On 15 November 1936, Hayward married the stage and screen actress Margaret Sullavan, who was pregnant with his child. He thus became the third of Sullavan's four husbands. Her previous husbands had been Henry Fonda and William Wyler, and after being divorced from Hayward in 1948, she would go on to marry British investment banker Kenneth Wagg ...
There, he worked with Margaret Sullavan, his future wife. [18] James Stewart joined the Players a few months after Fonda left, though they were soon to become lifelong friends. Fonda left the Players at the end of their 1931–1932 season after appearing in his first professional role in The Jest , by Sem Benelli .
No Sad Songs for Me is a 1950 film directed by Rudolph Maté, [1] featuring Margaret Sullavan in her last film role as a woman dying of cancer. It was nominated for an Academy Award for Best Music Scoring in 1951. The sentimental film is known as a post-war Hollywood tearjerker. [2]