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" Nun singt ein neues Lied dem Herren" (Now sing a new song to the Lord) is a Christian hymn with German text by Georg Thurmair. He based it on Psalm 98 and wrote it in 1967 to match a traditional 16th-century melody. The song is part of German hymnals, including Gotteslob, and songbooks.
Psalm 98 is the 98th psalm of the Book of Psalms, beginning in English in the King James Version: "O sing unto the Lord a new song; for he hath done marvellous things".The Book of Psalms starts the third section of the Hebrew Bible, and, as such, is a book of the Christian Old Testament.
The song was first published in 1719 in Watts's collection The Psalms of David: Imitated in the Language of the New Testament, and applied to the Christian State and Worship. [2] The paraphrase is Watts's Christological interpretation. Consequently, he does not emphasize with equal weight the various themes of Psalm 98.
The first stanza begins with the call to sing a new song to the Lord, as in Psalm 96 and Psalm 98. It then mentions that God never rests (paraphrasing Psalm 121:4), and that he still works miracles today. The second stanza expresses that his mercy is new every day (based on Lamentations 3:23), even on
Psalm 96 is the 96th psalm of the Book of Psalms, a hymn. The first verse of the psalm calls to praise in singing, in English in the King James Version: "O sing a new song unto the Lord". Similar to Psalm 98 ("Cantate Domino") and Psalm 149, the psalm calls to praise God in music and dance, because he has chosen his people and helped them to ...
Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
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"Viderunt omnes" is a Gregorian chant based on Psalm XCVIII (98), sung as the gradual [1] at the Masses of Christmas Day and historically on its octave, the Feast of the Circumcision. Two of the many settings of the text are famous as being among the earliest pieces of polyphony by known composers, Léonin and Pérotin of the Notre Dame school.