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The group went on hiatus until 1998. In the meantime two compilation albums, The Best of New Order and The Rest of New Order, and several singles were released. The group reconvened in 1998 for the Reading Festival but did not release new material until 2000. The group released the album Get Ready in 2001. It was met with critical warmth, but ...
[62] [63] In July 2019 the performance was released as a live album titled Σ(No,12k,Lg,17Mif) New Order + Liam Gillick: So it goes.. (Live at MIF). [64] The collaboration between Gillick and New Order was the subject of the documentary feature New Order: Decades, directed by Mike Christie and broadcast in the UK by Sky Arts and Showtime in the US.
New Order Non-album single B-side to "Ruined in a Day" (1993) 1993 [55] "Vicious Streak" New Order Get Ready: 2001 [3] "Video 5 8 6" New Order Non-album single 1997 [56] "Vietnam" Jimmy Cliff ‡ Hope: 2003 " The Village" New Order Power, Corruption & Lies: 1983 [2] "Waiting for the Sirens' Call" New Order [c] Waiting for the Sirens' Call: 2005 ...
The main music video, set to the album version, was directed by Johan Renck, produced by Nicola Doring [8] through London production company Jane Fuller Associates and cinematographed by Fredrik Callinggård. [9] It does not feature New Order; instead, it depicts a younger band miming to New Order's music and words.
"Blue Monday" has been labelled a "synth-pop classic" [21] [22] and described as cementing the group's movement from post-punk to alternative dance. [5]It has been noted as an example of the hi-NRG style of club music, [23] and the 2004 edition of The Rolling Stone Album Guide called it "the ultimate in flawlessly programmed, LSD-driven, push-button dance-pop".
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The original 1987 version ended in a fade-out while repeating the last line of the outro, "I will always feel free". The "94 album mix", also included on the international edition of (The Best of) New Order as "1963-94", had all new orchestration and is similar in structure to the original version, except that the outro is removed and replaced with a repeat of the final bridge and chorus ...
The song is about New Order's then-souring relationship with Tony Wilson, the owner of Factory Records, which was the band's label at the time.On the documentary "New Order Story", Bernard Sumner discusses that he did not originally intend the song to be about Tony Wilson and the tension between Wilson and the group, but Sumner admits that growing tension between the two men ultimately was ...