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Pete Wernick (born February 25, 1946), also known as "Dr. Banjo", is an American musician. [1]He is a five-string banjo player in the bluegrass music scene since the 1960s, founder of the Country Cooking and Hot Rize bands, Grammy nominee and educator, with several instruction books and videos on banjo and bluegrass, and a network of bluegrass jamming teachers called The Wernick Method.
Levenson has authored numerous books on fiddle and clawhammer-style banjo playing, along with instructional CDs and videos. [5] Levenson, Dan (2003). Clawhammer Banjo from Scratch – A Guide for the Claw-less!. Mel Bay Publications. p. 128. ISBN 0786671335. [3] [4] Levenson, Dan (2008). Gospel Tunes for Clawhammer Banjo. Mel Bay Publications ...
Peabody also developed a special electric banjo—first with Vega, and later with the Fender Company and Rickenbacker—called the Banjoline. It was tuned as a plectrum banjo but with the 3rd and 4th strings doubled in octaves, as on a 12-string guitar. [3] Although seldom performed on today, it is a highly prized collector's item.
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Other instruments J.P. has played on his albums include fiddle, twelve string guitar, upright bass, banjo, mandolin, drums, percussion, synthesizer, cello, tenor banjo and piano. By age sixteen Cormier had recorded his first album (a collection of bluegrass instrumentals) [2] and he began working the U.S. festival circuit. This led him to move ...
Banjo, "standard roll patterns", on G major chord: Play forward ⓘ (above), Play backward ⓘ, Play mixed ⓘ, and Play forward-reverse ⓘ. [1] [3]Beginning with his first recordings with Bill Monroe and His Blue Grass Boys, and later with Lester Flatt, Earl Scruggs and the Foggy Mountain Boys, Earl Scruggs introduced a vocabulary of "licks", short musical phrases that are reused in many ...
According to Devon Wells, "Blackberry Blossom", as a banjo tune, was brought to the public's attention as one of the earliest arrangements of Bill Keith. [12] Wells, a bluegrass teacher, asserts that the tune is a standard in the bluegrass banjo repertoire. [13] Tony Rice recorded an influential version of the tune on the album, “Manzanita.”
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