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A jingle bell or sleigh bell is a type of bell which produces a distinctive 'jingle' sound, especially in large numbers. They find use in many areas as a percussion instrument, including the classic sleigh bell sound and morris dancing. They are typically used as a cheaper alternative to small 'classic' bells.
"Jingle Bell Rock" does sound more like subsequent songs credited to either Helms or Garland than it does "Unsuspecting Heart," an old-fashioned, pre-rock pop number released by Terri Stevens in ...
A bell is regarded as having a good tone when it is "in tune with itself". [24] In western bell founding, this is known as "harmonic tuning" of a bell, which results in the bell's strongest harmonics being in harmony with each other and the strike note. This produces the brightest and purest sound, which is the attractive sound of a good bell.
Ella Logan – as "Jingle (Bingle) Bells"; single (1938) Guy Lombardo and His Royal Canadians – on the album Jingle Bells (1956) Lonestar – on the album My Christmas List (2007) The Looney Tunes cast - on the album A Looney Tunes Sing-A-Long Christmas (2007) Vincent Lopez and His Orchestra – on the album Christmas Music (1957) Los Del Rio
The song was republished in 1859 by Oliver Ditson and Company, 277 Washington Street, Boston, with the new title "Jingle Bells; or, The One Horse Open Sleigh". Its sheet music cover featured a drawing of sleigh bells around the title. [11] Sleigh bells were strapped across the horse to make the jingle, jangle sound. [citation needed]
Checker's version was featured in the 1962 film Don't Knock the Twist and was included on the soundtrack.; Checker's version was featured in the 1988 film Hairspray, however, due to licensing restrictions with Cameo-Parkway Records, was not included on the soundtrack.
"Jingle Bell Rock" is an American Christmas song first released by Bobby Helms in 1957. It has received frequent airplay in the United States during every Christmas season since then, and is generally considered Helms' signature song .
Because radio is sound oriented, it was a natural development for stations to independently adopt a variety of audio signatures, which in some cases took the form of chimes. Examples existed from the earliest days of organized broadcasting, including at least three by the summer of 1923:
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