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Engraving of Count Franz Anton von Sporck from the year 1735 Order of St. Hubertus Medal of 1723. Franz Anton von Sporck, Count (German: Franz Anton Reichsgraf von Sporck, Czech: František Antonín hrabě Špork) (9 March 1662 in Lysá nad Labem or Heřmanův Městec – 30 March 1738 in Lysá nad Labem) was a German-speaking literatus and patron of the arts who lived in the province of ...
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
This is an accepted version of this page This is the latest accepted revision, reviewed on 2 February 2025. Item of cutlery in the form of a spoon with fork tines This article is about the utensil. For the film, see Spork (film). Four types of sporks A spork is a form of cutlery and combination utensil taking the form of a spoon -like scoop with two to four fork -like tines. Spork-like ...
The spork is easily one of the most identifiable and popularly used hybrid utensil in modern times, being used in prisons, schools, restaurants, and many other institutions. [4] According to The Washington Post, approximately 35% of American adults own a spork. [5] The name "Spork" was first trademarked in 1970 by the Van Brode Milling Company. [4]
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
SparkNotes, originally part of a website called The Spark, is a company started by Harvard students Sam Yagan, Max Krohn, Chris Coyne, and Eli Bolotin in 1999 that originally provided study guides for literature, poetry, history, film, and philosophy.
The TTPD booklet poem ends with the “all’s fair in love and poetry” stanza that Swift previously released when she shared the TTPD cover earlier this year. The Tortured Poets Department is ...
There are more questions than answers in this new type of epic, where "an agnostic irony can easily find a place" while "the unbiased reader would be forced to recognize as concerned with the profoundest issues which confront humanity". [10] He concludes that if the poem is to be labeled a national epic, it is a "highly idiosyncratic" one. [9]