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Spectrogram of the first second of an E9 suspended chord played on a Fender Stratocaster guitar. Below is the E9 suspended chord audio: In music, timbre (/ ˈ t æ m b ər, ˈ t ɪ m-, ˈ t æ̃-/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone.
+ 9.33 15-ET matches the 7th and 11th harmonics well, but only matches the 3rd and 5th harmonics roughly. The perfect fifth is more out of tune than in 12-ET , 19-ET , or 22-ET , and the major third in 15-ET is the same as the major third in 12-ET, but the other intervals matched are more in tune (except for the septimal tritones ).
Helmholtz resonator, p. 121, fig. 32. On the Sensations of Tone as a Physiological Basis for the Theory of Music (German Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik), commonly referred to as Sensations of Tone, is a foundational work on music acoustics and the perception of sound by Hermann von Helmholtz.
A passing tone (PT) or passing note is a nonchord tone prepared by a chord tone a step above or below it and resolved by continuing in the same direction stepwise to the next chord tone (which is either part of the same chord or of the next chord in the harmonic progression).
Caravaggio's Rest on the Flight into Egypt (1594–96). In music, sight-reading, also called a prima vista (Italian meaning, "at first sight"), is the practice of reading and performing of a piece in a music notation that the performer has not seen or learned before.
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
In the case of quarter-comma meantone, where the major third is made narrower by a syntonic comma, the whole tone is made half a comma narrower than the major tone of just intonation (9:8), or half a comma wider than the minor tone (10:9). This is the sense in which quarter-tone temperament is often considered "the" exemplary meantone ...
Quarter tone on C. A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
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